#poldark tv

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Eleanor Tomlinson as Demelza Carne POLDARK (2015)

[arwen-evenstar]

1.1 | The White Princess (2017) 3.6 | Poldark (2015–2019)

[badwolf-gallagher88]

Yes, having a crush on a fictional character is bad. But have you ever had a crush on a fictionalised version of a vaguely problematic historical figure??

[queen-paladin]

disclaimer: yes, I am complaining about cheating in media. Because, yes, writers have the freedom to create what they want but if the morality in creation is free for all forms of media, but no piece of art is exempt from criticism, and that includes criticism on personal moral grounds. I betcha if I said Harry Potter is good, actually, everyone on here would flood my blog telling me I am wrong because of the author's intense prejudice. That being said, I am criticizing cheating in fiction, If you don't like that, don't interact

So often lately I see period dramas where the husband cheats on the wife (ex. Poldark, The Essex Serpent, Queen Charlotte, The Great)...and not only do I despise the cheating trope with every fibre of my being to where I get panic attacks when I consume the media...but specifically with period dramas...

Do these writers not understand the greater implications of a husband cheating on a wife during these periods? More than just the humiliation and heartbreak in the case of a loving, good marriage just like it is today.

In the Western world, probably until certain laws were enacted in the 1900's, if a woman married a man, she was legally his property. She had no legal identity under him. She was financially dependent on him. Any wages she made would automatically go to her husband. Her children were also not legally her children- they belonged to the father. If the husband died, even if the wife was still alive, the children were legally considered orphans.

Women could only rarely gain a divorce from their husbands. In England in the mid-1800's specifically, if a wife divorced a husband she had to prove he had to not only cheat but also be physically abusive, incestuous, or commit bestiality. On the other hand, a husband could divorce a wife just for being unfaithful. Because, kids, there were sexual double standards.

Getting married was often the endgame for a lot of women during that time. Sometimes you couldn't make your own living enough- marriage was a way to secure your entire future financially, with more than enough money to get by. If you were a spinster and middle class, you could get by with a job. But if you are an upper-class lady, the one thing a lady does not do is get a job and work. So upper-class spinsters basically were dependent on their families to get by (ex. Anne Elliott in Persuasion faces this with her own toxic family). As strange as it sounded today, marriage gave them some freedom to go about since a husband could be persuaded sometimes more easily than a father and one had a different home, their servants, etc. A husband was your foundation entirely for being a part of society, and standing up as your own woman.

So if a husband cheated on a wife, that was a threat to take all of that away.

He could give a lot of money that could be used to support his wife and children to the mistress. He could completely abandon said wife for the mistress. And since the wife legally couldn't get a job as he still lived, she would be dependent on any money he would said- and that is IF he sent over any money.

He could take her to court and publicly humiliate her to get a divorce away from her (look up the separation of Charles and Kate Dickens, he would call her mentally ill and say her cooking was bad and that she was having more children than they could keep up with all while having an affair and divorcing her to be with the misteress). And even if the wife was the nicest, more proper, goodest, more rule-abiding never-keeping-a-toe-out-of-line lady in town...as a man, the law was default on his side (look up Caroline Norton's A Letter to the Queen which details exactly that, the poor woman had her earnings as a writer taken by her husband and was denied access to her children from said husband)

So yeah...even if there was "no love" between them (and anytime the wife is portrayed as too boring or too bitchy so He HaS tO cHeAt is brought up is...pretty victim blamey)

So yeah. Period drama writers, if you have the husband have an affair ...just consider the reality of these things and address them, maybe punish the husband for once (*gasp* men facing consequences for their actions?!?!!), and if not, just please find other options and other tropes and devices for once.

[catd2014]

Binged the whole of Rivals in the last 24 hours, brilliant television

[telumendils]

47/∞ gifs of eleanor tomlinson being positively ethereal

[flipperbrain-awakes]

The Warleggan Ball by flipperbrain-awakes

Ross leans against a wall in the large room and contemplates the tumbler of brandy in his hand. George does not skimp, this amber liquid is quite good. Ross is well acquainted with fine brandy, risking much himself to import the best available through less than legal means. He scans the room, it is between dances and most of the guests are clustered together in groups, engaged in flattery and idle conversation. He had quarreled with his wife an hour ago, he knew his surly attitude and lack of attention had angered Demelza, and he could certainly understand why. Yet at that moment he was incapable of bending, of admitting he was wrong. And rather than making it up with her, he continued playing cards. His grief and outrage over the disgusting treatment of his friend Jim Carter, which ultimately led to his untimely death, had rendered him powerless to rise above his mood. But by God, Demelza is the last person to deserve the sharp-edge of his ire, and now he feels incredibly ashamed at his behavior. 

He watches his wife chatting merrily with several solicitous gentlemen across the ballroom, without a doubt she has many would-be suitors were her husband not standing in the way. She glances at him, her eyes still flashing with annoyance and hurt, she is ravishing and haughty and so very tempting. Demelza is wearing a new gown, its fabric selected particularly for this occasion. It is the color of Spring and covered with delicate leaves and stems. Her décolletage is framed with the tiniest diaphanous ruffle which projects the opposite of demure, rather than disguising, it accentuates her bust and she is fully aware of its effect. 

Ross has had enough drink this night, he sets his glass aside and walks over to speak quietly with the leader of the small orchestra assembled in the southern corner of the room, a few coins are discreetly handed over. While likely the poorest of manners to divert the musical program toward his personal goals, he cares not and strides determinedly toward Demelza. She sees him coming and her brows gather in anticipation of protest but Ross does not give her an opportunity to refuse. He takes her by the hand and leads her to the center of the dance floor. Demelza initially resists his embrace, she is still put-out and a little embarrassed by their earlier exchange… but then she turns her head and looks into his eyes and her anger melts away, he can be damnable at times but his feelings for her are written on his face. 

Ross takes her in his arms as the music strikes up and begins to dance a dance that he has only seen once before, he holds his beautiful wife, his hand sitting familiarly at her waist, and leads her in The Walse. The steps are not truly known to him but he believes he can manage a fair representation, he has some skill at dancing though rarely used. The onlookers at the time he first witnessed this exercise were scandalized by the closeness of its participants, and from the expressions on many a face, they are once again. He grins inwardly at this but Demelza’s visage, her fine features gazing up at him, he is nearly overcome with desire. She is his complete focus, the only thing in this world that truly matters. That he could act an idiot and lose sight of that, well, he is an imperfect man.

They are a vision to behold on the ballroom floor, Ross expertly guiding in his version of this dance, Demelza following his lead like a woman who has been trained in this since girlhood. Their bodies move together instinctually as one, gracefully drifting and turning and whirling together. All eyes are upon them, but theirs are only for each other.

[haveyouseenthisseries-poll]

[love-little-lotte]

A Look Into My New Guilty Pleasure: Poldark (2015 Series)

My biggest weakness is period dramas — especially period dramas with a talented cast, sweeping romance, terrific scenes (preferably set in some kind of country/provincial side), and lots and lots and lots of just sitting around and talking.

That's probably why Poldark has captured my heart. As a big fan of Outlander, it's no surprise that I fell in love with this show. Outlander and Poldark have so many similarities that I may make a lengthy post about it, but for today, let me just rant about my new guilty pleasure. I'm so obsessed with this show that I actually finished watching the entire five seasons in one week!

Poldark is based on Winston Graham's novels and adapted by Debbie Horsfield. I was so excited to start this show, with a male protagonist originally written by a man, created and written for a series by a woman. I haven't read Graham's novels (I'm going to one of these days, I swear!), so I'm not sure how well Debbie's adaption worked. I've read many Reddit threads, though, and some fans of the novel are not that impressed with how she omitted and added details to the show (will get back to this once I've read the books or at least the seven ones that were used in the show). The show has also been adapted in the 70s, so this was not the first time Graham's novels were seen onscreen!

Despite not having read the books, I fell in love with the story, the characters, and the cast! The show follows Ross Poldark returning to Cornwall after fighting in the American War in the 1780s. He looks forward to marrying his childhood sweetheart Elizabeth but, believing him to be dead, is now engaged to his cousin Francis. He then tries to resurrect his family's mining business and hires a young girl Demelza to be his kitchen maid (whom he eventually marries) while also crossing paths with the villain George Warleggan, a corrupted banker who stops at nothing to ruin Ross's prospects and personal life. As the show progresses, we also meet other characters, including Prudie and Jud, Ross's servants, Verity, Ross's cousin and Francis's sister; Ross's friend Dr. Dwight Enys and his love interest Caroline Penvenen; Sam and Drake Carne, Demelza's brothers, and Morwenna Chynoweth, Drake's love interest.

Yes, this show has a large ensemble cast, and trust me, there always comes a point when you hate or love them. Especially our protagonist Ross Poldark. Ross... is an interesting character. He's terribly, terribly flawed and many times times, I'm so infuriated with him to the point that I want him to suffer. I swear, you cannot go through this series without screaming at Ross. (When that moment came up in Season 2, I swear I had my middle finger ready every time Ross showed up on my screen from then on.)

But my favorite character in the show is Demelza, Ross's wife who started as his kitchen maid. She's the heart of the show, the voice of reason, and even though she makes questionable decisions along the way, you can't help but get on her side no matter what. She's the perfect fiery yet gentle match to Ross's stubbornness. He treats her like shit many times in this show, which makes me angry to no end, but they eventually grow to be understanding, loving partners.

And it also helps that Aidan Turner and Eleanor Tomlinson have one of the best romantic chemistries I've ever seen. They're terrific actors as well and they bring the characters to life so effortlessly. They just seem like they have the best time shooting this show. I kind of want to rewatch Loving Vincent now just because they're in that movie, even just in supporting roles.

Poldark is a roller coaster, with so many ups and downs (mostly downs, to be honest, please give Demelza a break!) My favorite season has got to be Season 1. Season 1 had the best Ross and I loved the early stages of his relationship with Demelza. It also has my favorite episode: Season 1, Episode 8. That episode broke me so much, thanks to Aidan and Eleanor's perfect performances. It's the only time I ever cried watching this show. I usually cry in period dramas (I've cried countless times in Outlander and Downton Abbey), but for some reason, I only cried once in Poldark. Most of the time, I'm annoyed and infuriated (hahaha but I still love it!)

The romance in Poldark is also quite unique, something I haven't seen before. Ross and Demelza emotionally hurt each other many times in this show, and they don't have the best communication. It's not an ideal marriage, but that's what makes it so raw and real. It hurts when Ross sleeps with his first love Elizabeth or when Demelza falls for the much-sensitive Hugh Armitage, but these are challenges people face all the time, and it's interesting to view it in characters and circumstances through 18th-century lenses. Plus, it can be very tiring to see perfect couples onscreen all the time. So watching Ross and Demelza's relationship thrive, suffer, and reconcile is very refreshing to me.

Nevertheless, Ross and Demelza are still able to work together. Seasons 2 and 3 showcase the worst moments of their marriage, from infidelities to insecurity, but the love between them still perseveres and they learn to forgive. In the end, they realize that they belong together.

And despite the unconventional marriage, Poldark is not a stranger to grand romantic gestures. Two of my favorite Ross and Demelza moments occur in Season 2:

A real funny, old-married-couple type of bicker in The Beach Scene:

And of course, showing all intimacy in The Stocking Scene:

(Let's just not talk about what happened 2 episodes after this!)

The romance in Poldark not only ends with Ross and Demelza. We also got two really good couples in the series: Dwight and Caroline and Drake and Morwenna.

And these love stories don't just happen! They're fleshed-out characters with proper backgrounds and their own problems, especially Drake and Morwenna's relationship. Morwenna is one of my favorite characters, and she doesn't deserve all the shit thrown at her. The last season of Poldark is not the best (bordering on bad, actually, especially the last two episodes), but watching Drake and Morwenna get their happy ending is worth it.

Finishing all five seasons is bittersweet. I enjoyed most of the story and fell in love with different characters. I kind of regret watching everything in one week haha. But what can I say? As soon as I finish each episode, I'm so tempted to start another episode. I think the last time I stayed up until 5 AM the next morning to watch TV shows was Yellowjackets. Poldark's just too good to binge! It's one of my favorite TV shows now. Maybe I'll watch Sanditon next...

I want to write more about Poldark soon, maybe a comparison with Outlander or maybe just a post about each character. I realized I hadn't talked much about Elizabeth, Francis, and George in this post; I was too preoccupied with the love story aspects and Ross and Demelza. We'll see!

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Would you like them? Oh. Thank you! But I'm afraid they won't last. See, they're fading already. Cornflowers are like that.

[arwen-evenstar]

Gabriella Wilde as Caroline Enys in Poldark (2015–2019)

[cinderellaheist]

Poldark (2015)

[ibreathestories]

I'm only on Episode 2 of Season 1, and already really like this show!

[cinemistery]

Hugh Armitage | Poldark (2015 - 2019)

[elyangelofdeath]

[lifewithaview]

Eleanor Tomlinson and Aidan Turner in Poldark (2015) S2E6

A cheerless Christmas looms for the Poldarks with Francis drowned in the mine having only found fool's copper and Ross facing debtor's prison if he cannot pay Warleggan. Ross is also anxious to expose the traitor and agrees to a dangerous scheme to trap them whilst Demelza is troubled by his frequent visits to console Elizabeth - though Warleggan is quick to ingratiate himself with the widow. Ray Penvenen accuses Dwight of fortune hunting and tries to ban him from seeing Caroline but she is far too perceptive and realistic to give up the man she loves. She also bails out Ross, whose tenacity she admires, in his hour of need - whilst seeking to remain anonymous.

*Whilst riding along the beach for the second time, just before they turn away from the water, Caroline briefly switches from riding side-saddle with her legs on the left, to having her legs on the right.